I recommend checking out the following saturators: Deal with issues first, and enhance your material with this workflow afterwards. If the signal you're working with needs frequencies attenuated, you're not ready to apply this workflow yet. You'll notice that reductive EQ is placed after saturation in this list. Tube, tape, and digital saturation all have their own sound and can each be achieved through various plugins and/or hardware units. Saturation works well on busses to help glue sounds together, and it can also make sounds appear louder. Engineers commonly saturate audio when they want to thicken it up so that it punches through the mix. This causes signal to fill more of the audio spectrum making it sound fuller, akin to BOLDING text.
Saturation can help generate additional harmonics within certain frequency ranges. Applying saturation applies a combination of distortion and compression. If that means swapping the order of these devices, taking away certain ones, or adding additional ones, go for it! 1. It's also important to note that this workflow is to be used as a starting point, and should absolutely be modified in order to accommodate the needs of the material you're working with. The workflow described is intended as a way to enhance your material, not save it from disaster.
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